HomeMy WebLinkAbout21 - Request for Assistance from NB Film Festivalraw °Da
CITY OF NEWPORT BEACH
Hearing Date:
March 14, 2000
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COMMUNITY AND ECONOMIC
Agenda Item
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DEVELOPMENT
No.:
21
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PLANNING DEPARTMENT
Staff Person:
Sharon Z. Wood
3300 NEWPORT BOULEVARD
(949) 644 -3222
NEWPORT BEACH, CA 92658
(714) 644 -3200; FAX (714) 644 -3250
REPORT TO THE MAYOR AND CITY COUNCIL
SUBJECT: Request for Assistance from Newport Beach Film Festival
SUGGESTED
ACTION: Allocate $30,000 from Economic Development capital account to assist
with costs of all Newport Beach theaters.
The City Council allocated $7,000 to the Newport Beach Film Festival in December 1999, to
assist with start-up costs. The Council also agreed to consider assisting the Festival with theater
costs after seeing the assistance provided from other sources and whether all screenings will take
place in Newport Beach.
The Festival has attracted over $540,000 in sponsorships. Only $56,000 of the sponsorship
contributions is in cash, however, with the most significant sponsor contributions being in -kind.
While in -kind contributions are valuable to the Festival, they do present a cash flow problem. In
addition, sponsors request consideration such as advertisements, tickets and mailings, which
increase other costs of the Festival that had not been anticipated. The latest budget from the
Festival shows expenses exceeding income by $58,000.
The current request from the Film Festival is $30,000 for theater costs, described in the attached
letter from the Executive Director. This is a reduction from their original request of $40,000 for
this purpose, which reflects the success the organization has had in negotiating with theater
owners and in attracting support from other sources. The theater costs are now expected to be
$35,000, and all screenings are planned to be in Newport Beach. This is a goal the previous
organization never was able to achieve, and one that staff thinks is critical to the Film Festival
providing significant benefit to the City.
As noted in the December report to the City Council, staff of the City and the Conference and
Visitors Bureau believe that the Film Festival is an event that can benefit Newport Beach, both
culturally and economically. The Economic Development Committee discussed the Festival at
their meeting of October 27, 1999, and voted to support it because of its economic benefits to the
City. The previous festival attracted 15,000 to 25,000 patrons for the four years of its operation.
With improved organization and all the screenings in Newport Beach, the potential for hotel
stays and restaurant patronage will increase, providing more revenue to the City at a time of year
that is off season for these businesses.
It is not unusual for cities to support this type of cultural event because of the attendant benefits
to the city. For example, the Cities of Palm Springs, Santa Barbara and San Francisco assist film
festivals with amounts ranging from $30,000 to $150,000 annually.
The Economic Development capital budget account has $40,000 remaining, and staff
recommends that the City Council allocate $30,000 for Film Festival theater costs from this
account. Staff makes this recommendation to help the new organization get established and
begin its operation in the best way possible. We do not assume that this level of assistance will
be needed or appropriate in future years.
SHARON Z. WOOD
Assistant ity Manager t �J�
Page 2
4540 Campus Drive
Suite 100
Newport Beach
California
92660
March, 3rd 2000
Dear Mr. Mayor and Members of the City Council,
phone
949.253.2880
fax
949.253.2881
www
newportbeachfilmfest.com
The purpose of this letter is to update you on the progress of the Newport Beach Film Festival and
to request your continued support of our project. This year's festival is shaping up to be a strong, vibrant
and highly entertaining event. The new Board of Directors and festival staff have made great strides to
unite the necessary business constituents and the community as a whole. However, this being the first year
of the new festival it has been a challenge to produce the entire event in Newport Beach. Several of our
sponsors have expressed a "wait and see" attitude or expressed interest in supporting activities outside the
city. Further, our cost per sponsor has been increasing due to higher a proportion of in -kind vs. cash
donation. This type of response has been a challenge, but not one that is insurmountable. Due to first year
costs and location expenses we are requesting the City's support for the venue costs in Newport Beach.
This is one of the single largest expenses of the festival and was one of the issues discussed in my previous
letter to the City.
Our original requested amount was no more than $40,000 for venue costs. We have lowered our
request to no more than $30,000. We are hopeful that the council will support us in this critical start-up
year. We look forward to a mutually beneficial partnership. I have included a few articles detailing the
evolution and importance of the Newport Beach Film Festival. If I can be of any further assistance, please
let me know.
Sincerely,
Gregg M. Schwenk
Executive Director
Daily Pilot
Saturday, March 4, 2000
A cinematic comeback
■ The revived Newport Beach Film Festival will feature world -
premiere international films, local works and a trio of tributes.
By ALEX COOLMAN
It's back.
Like a sequel whose characters seem smarter, tougher and
better looking than they were the first time around, the
Newport Beach Film Festival is shining its way back into
theaters.
The eight -day event, which kicks off with a gala reception
March 30, will feature full - length, short and animated films
from around the world, a variety of seminars and a trio of
heavy - hitting film tributes.
Some of the new films scheduled for screening were
plucked from the top ranks of recent festivals at Palm Springs,
Amsterdam, the Sundance festival in Utah, and elsewhere.
Others, such as a trio of Chinese films, are world or U.S.
premieres.
Still others are works by local filmmakers or films that
capture a slice of Southern California life.
"We really tried to program to reflect the diversity of
Orange County," said Gregg Schwenk, the event's executive
director. "We had people out at the Toronto Film Festival, at
Sundance, at Savannah, at Berlin. We're really trying to bring
in the best."
Last fall, the festival looked like it might not make it to the
screen. Founder Jeffrey S. Conner, who kept the enterprise
afloat for four years, declared bankruptcy in September,
leaving fans and auteurs alike wondering if the pieces of what
was then a sprawling, two -week affair could possibly be
reassembled.
The program for the revamped fest -- shorter, but dense with
high - quality films -- emphatically answers that question.
"Any past apprehension about Newport Beach as a festival
will be washed away after this year," Schwenk said.
Screenings for the fest are, with one exception, confined to
two theaters: the Edwards Island Cinemas and the Orange
County Museum of Art.
Broadly speaking, the division corresponds to a split
between full - length works, which will be shown at Edwards,
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Daily Pilot
and shorter films, some of which are a little more challenging
in terms of their content.
But there will be some exciting prospects in both theaters.
Some of the highest - profile events are likely to be tributes,
three of which are slated for the first few days of the fest.
Opening night features a 50th- anniversary screening of a
remastered print of "Sunset Boulevard," the 1950 Billy Wilder
film that is synonymous with fihn noir.
Other classics include a showing of David Lean's 1946 film
"Great Expectations," and a screening of the 1957 movie
"Sweet Smell of Success," which co -star Tony Curtis is
expected to attend.
"Any film festival would love to have even one of our
tributes, where we have three of them, and they're all very
strong," Schwenk said.
A strong lineup of intemational films deserves attention as
well.
In addition to showcasing works from Mexico, Vietnam,
Brazil and the Philippines, the festival is hosting the world
premiere of the Chinese films "Ice on Fire," "Tutor (Fly high
with you)" and "Once Upon a Time in Shanghai." The debut of
these films will be accompanied by a party held by the Chinese
Consul General on April 4.
And in local- interest work, the festival has several
offerings.
"Long Night's Journey Into Day," the documentary that just
won the Grand Prize Jury Award at Sundance, looks
interesting. The film, a portrait of race relations in South
Africa, deals with the case of Amy Biehl, the young Newport
Beach woman who traveled to South Africa to help with voter
registration and was killed by mob violence in 1994.
David Sperling's "Drunk in Public, N.B." a movie that
detailed Newport Beach resident Mark David Allan's numerous
run -ins with the law due to public intoxication, had its original
debut in the 1998 festival. An updated version of the film,
capturing still more of the man's curious saga, screens at the
Orange County Museum of Art on April 3.
Scott Forrest, who has programmed many of the short films
that will be showing at the museum, said he is pleased with
how the schedule of events has shaped up.
"It's going to be a roller coaster of rocking emotion," Forrest
said. "You're going to be exhausted afterward. It's phenomenal
programming. This is the way I've always wanted to see it
happen."
The lineup of shorts includes some blocks of thematically
linked works, including "Women in Film," a program that
celebrates women filmmakers, "Super, Super 8," which focuses
on the Super 8 film, and the "Dances With Films Festival,"
works from a series of young and unknown directors.
The offerings are more impressive than those at many
festivals, Forrest said, because he and his fellow programmers
have been quite aggressive in tracking down interesting work
from distant sources.
"Most film festivals, they just accept what comes in, and
they go through that," Forrest said. "We're going through all
festivals. I don't know of any other festivals that do that."
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When attendees have taken in all the visual stimulation they
can handle, the series of seminars and lectures at the Newport
Beach Public Library should offer some engrossing
alternatives.
Talks on the art of filmmaking will feature appearances by
industry professionals. Seminars on directing, cinematography
and special effects will dissect the complex elements that go
into a single frame of a Hollywood picture. Other talks will
look at the future of the motion picture and the changes that
Internet technology means for the movies.
If all the options seem a bit overwhelming for the potential
viewer, they seemed no less so to the people who were putting
the whole production together. Schwenk calls coordinating the
complex elements of the festival "the single most difficult
project I've worked on in my entire life."
But it's a project that looks to be counting down to a strong
opening.
"This has been a challenge," Schwenk said. "But what's
wonderful about it is that so many facets of the community
have come together to make one of the best festivals I've ever
seen."
* * * * * * * ** *box: Local Films
* WHAT: "Long Night's Journey Into Day," a documentary
that discusses the story of Amy Biehl, by Frances Reid and
Deborah Hoffmann
WHERE: Edwards Island Cinema, 999 Newport Center
Drive
WHEN: 8 p.m., April 5
* WHAT: "Drunk in Public," a documentary by David
Sperling about Mark David Allan
WHERE: Orange County Museum of Art, 850 San
Clemente Drive, Newport Beach
WHEN: 1 p.m., April 3 (screening time may change)
box: FYI
WHAT: The Newport Beach Film Festival
WHERE: Feature films at Edwards Island Cinema, 999
Newport Center Drive, Newport Beach. Shorts at Orange
County Museum of Art, 850 San Clemente Drive, Newport
Beach. Opening -night screening is at the Big Edwards, 300
Newport Center Drive, Newport Beach. Seminars will be held
at the Newport Beach Public Library, 1000 Avocado Ave.,
Newport Beach
FESTIVAL START: "Sunset Boulevard" tribute, 7:30 p.m.
March 30
FESTIVAL FINISH: Awards, 10 p.m. April 6
TELEPHONE: (949) 253 -2880
Feedback to dailypilot a,latimes.com
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